Jenny Erpenbeck's much anticipated new novel Kairos is a complicated love story set amidst swirling, cataclysmic events as the GDR collapses and an old world evaporates.
Jenny Erpenbeck (the author of Go, Went, Gone and Visitation) is an epic storyteller and arguably the most powerful voice in contemporary German literature. Erpenbeck's new novel Kairos―an unforgettably compelling masterpiece―tells the story of the romance begun in East Berlin at the end of the 1980s when nineteen-year-old Katharina meets by chance a married writer in his fifties named Hans. Their passionate yet difficult long-running affair takes place against the background of the declining GDR, through the upheavals wrought by its dissolution in 1989 and then what comes after. In her unmistakable style and with enormous sweep, Erpenbeck describes the path of two lovers, as Katharina grows up and tries to come to terms with a not always ideal romance, even as a whole world with its own ideology disappears. As the Times Literary Supplement writes: "The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck's work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of this period between states and ideologies."
In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel. And, as The New Republic has commented on his work as a translator: "Hofmann's translation is invaluable―it achieves what translations are supposedly unable to do: it is at once 'loyal' and 'beautiful.'"
"Erpenbeck's handling of characters caught within the mesh (and mess) of history is superb. Threats loom over their love and over their country. Hans is jealous, weak-willed, vindictive, Katharina self-abasing. At heart the book is about cruelty more than passion, about secrets, betrayal, and loss." ―Kirkus Reviews
"In Erpenbeck, Germany has a rare national writer whose portrayals of a ruptured country and century are a reminder that novelists can treat history in ways that neither historians nor politicians ever could, cutting through dogma, fracturing time, preserving rubble." ―The Atlantic
"With Kairos, Erpenbeck proves the impossibility, irresponsibility even, of an easy binary and reminds us that the only thing we can be certain of is an ending that will bring along change."
―Full Stop
"Erpenbeck is among the most sophisticated and powerful novelists we have. Clinging to the undercarriage of her sentences, like fugitives, are intimations of Germany's politics, history and cultural memory. It's no surprise that she is already bruited as a future Nobelist....I don't generally read the books I review twice, but this one I did." ―The New York Times
"Erpenbeck presents the intimate and the momentous with equal emphasis, so that personal and historical time run on nearly parallel tracks, until they have no choice but to converge." ―Washington Post
"What is past, what is present, and what persists are questions that haunt Kairos a novel concerned with continuity in politics and culture but also with passion and character. … Erpenbeck's spare style, seamlessly blending dialogue, thought, narrative and allusions to German culture, echoes the ideas that animate Kairos, and occasionally the disorientation at its core." ―Minneapolis Star-Tribune
"One of Germany's finest contemporary writers." ―The New York Times
"The brutality of her subjects, combined with the fierce intelligence and tenderness at work behind her restrained, unvarnished prose is overwhelming." ― Nicole Krauss
"A writer with a roving, furious, brilliant mind…Erpenbeck has done it again." ―Los Angeles Times
"One of the bleakest and most beautiful novels I have ever read. … Erpenbeck never reaches for the stock phrase or the known response. While the novel is indeed bleak in its view of love and politics, spending time with Erpenbeck's rigorous and uncompromising imagination is invigorating all the way to the final page." ―The Guardian
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Jenny Erpenbeck was born in East Berlin in 1967. Erpenbeck is the daughter of the physicist, philosopher and writer John Erpenbeck and the Arabic translator Doris Kilias. Her grandparents are the authors Fritz Erpenbeck and Hedda Zinner. In Berlin she attended an Advanced High School, where she graduated in 1985. She then completed a two-year apprenticeship as a bookbinder before working at several theaters as props and wardrobe supervisor.
From 1988 to 1990 Erpenbeck studied theatre at the Humboldt University of Berlin. In 1990 she changed her studies to Music Theater Director at the Hanns Eisler Music Conservatory. After the successful completion of her studies in 1994 she spent some time at first as an assistant director at the opera house in Grazthen, then as a freelance director.
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Name Pronunciation
Jenny Erpenbeck: UHR-pen-beck
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